Category : Odd and Even Meter

The study of all odd and even meter in both duple and triple feel. The chants are first demonstrated with accompanying music. Afterward, the chants are played with various click speeds.

Duple Chant in 4 #1

The most common duple feel of 4 can be felt and played in so many ways other than the most popular Westernized ways. You can look at this hi hat part as duple or in groups of 3. The kick beats are 3 beats long as well. The snare lays a long backbeat while landing on a long 2 and 4. Although this chant is identifiable when broken into individual limbs, the sum is quite unique. The best way to learn this chant is simply by hearing and feeling the hi hats against the kick and snare.

Elements Of One: Cuba, USA, Senegal, India, France 1995 – 1999

This movie documents the cultural connection of Africa to the Americas, Asia and Europe. This covers interactions, deep studies, interviews, performance clips, rehearsals and more under the direction of alto saxophonist Steve Coleman from 1995 – 1999. Screen Shot 2017-02-01 at 1.18.31 AMThe journey extends from Egypt, Cuba, Senegal, India and France. As many artists explore the roots and history of creative culture, Elements of One is unparalleled as well as unprecedented.

Triple Chant in 5 #2

The snare/kick pattern loops for three measures with an extra kick in the last measure. The tricky thing is the ride cymbal which can also be played on cowbell. Then there are the pedaled hats beginning on beat 2. It pedals every other beat (2, 4, 1, 3, 5). Nothing lands together except the ride and snare on beat 5 in every measure. Five tempos are demonstrated: 100 BPM, 120 BPM, 140 BPM, 160 BPM, and 180 BPM. I highly recommend performing the chant at each click speed for at least 5 minutes per tempo.

Duple Chant in 5 #3

I grew up in front of a turntable and listened to James Brown in the 70’s and 80’s. Cylde Stubblefield and John Jabo Starks propelled James Brown’s music to unparalleled influence in music history. It is accurate and honorable to say this lesson is inspired by Stubblefield and Starks. Duple Chant in 5 #3 takes shape demonstrated in slow, medium, fast and high velocity tempos. It is important to vocalize the chant with the click track while playing and not under your breath, but loudly. This increases memory necessary to playing the form at all times especially while improvising. Vocalizing is how most successful rehearsals happen backstage by the way! As with most chants, you can break the chant up into two parts. 1) Kick and snare. 2) Pedaled hat and ride. Notice the dynamics from low stick volume control to moderate during the performance.