Duple Chant in 5 #4 & Duple Chant in 3 #3

This time we look at a chant in alternate ways. In 5, the chant makes most sense. The accompanying music is arranged in a flow that goes against the chant however it comes around at points. When seeing this in 3 the sound of the chant does not change however, the percussive perception alters. The bar line changes as the note values stay the same in 5 and 3.

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