This time we look at a chant in alternate ways. In 5, the chant makes most sense. The accompanying music is arranged in a flow that goes against the chant however it comes around at points. When seeing this in 3 the sound of the chant does not change however, the percussive perception alters. The bar line changes as the note values stay the same in 5 and 3.
Triplet feel is really spelled out with the pedaled opened hats and kick pattern. This creates the 3 against 4. It is critical that you understand 1E&A which is the code we will use from here forth. So in this case which are 3 beats per measure, each beat is divided by 4 which is 1E&A. So counting aloud in ¾ you say, “1E&A, 2E&A, 3E&A, 1E&A, 2E&A, 3E&A” and so on. The hat, kick and ride pattern do not change throughout. So understanding how they anchor is half the battle. Therefore, the hat falls on beats 1, 2, and 3. The kick falls on beats 1, A of 1, & of 2, and E of 3. The ride falls on E of 1, 2, A of 2, and & of 3. The snare pattern is the only part that alters. In the first measure, the snare falls on & of 1 and beat 3. In the second measure, the snare falls on E of 2 and A of 3. When playing 140 BPM and faster, the chant takes on a latin influenced sound.
Simple in nature and complex in reality. The kick lands on the downbeat one time in measure one on the first beat. The hat comes in on beat two in the first measure. The ride cymbal creates a layer of off beats. The snare is always on beats two and three of every measure as in a waltz. Playing this in repetition requires consistent mental focus. The slightest drifting thought can throw any limb off especially the ride cymbal. This is the ultimate chant that builds synchronicity.
Performing in 3 is amongst my favorite of meters. The chant is simple in nature. Notice how the kick drum only strikes the down beat in the first measure. The kick pattern plays on the “and” of every other beat. This creates an illusion that does not sound like a three beat phrase. The tempo from slow to moderate changes the musical atmosphere because the faster the tempo, the more the chant sounds unlike 3.