Category : Lessons

Paid Members HD video lessons. We explore dynamics, phrasing, chops, even/odd meter, PDF charts, soundtrack music, play-along mp3s, and much more. This provides today’s musician with every angle on every subject. Rock, Funk, Latin, Reggae, Samba, Calypso, Disco, Punk, Metal, R&B, Fusion, Jazz, and all other genres are enhanced throughout.

Triple Chant in 11 #1

This chant is something that should be approached very slowly because it sounds a lot easier than it is to perform. The snare and kick pattern in one bar repeats. The easiest way to look at this is realizing the simplicity of the relationship between the snare and kick. The beginning of the second measure (or repeat) gives the chant what I call a hiccup. When repeating at a tempo around 120 BPM with a click or metronome, each pulse lands on each beat making it easy to know exactly where all the beats are. In other words, the metronome counts every beat. The ride cymbal lands every other beat creating a crossover layer. The hip thing is the turnaround on the second measure with the ride cymbal landing on beat 2 along with the second 8th note on the kick. This takes slow practice and repetition. Then there is the challenge of launching into the chant along with the click to begin with.

Duple Chant in 11 #1

When approaching odd meter in 11, there are so many beats per measure that this chant breaks it into two parts. There are many ways to divide 11. This is a simple example to approaching the meter. When the numbers get higher, there are more opportunities to break down the numbers. We are looking at this chant with 8 + 3 (or 8 and 3). As always we start with a slow tempo loop, you can clearly hear the division of 8 and 3 as the chant emphasizes beats 1 and 9 on the kick. Once you become relaxed move on to a faster tempo. This chant sounds more even this way than odd.

Five Elements Full Edition Philadelphia 2014

Screenshot 2015-11-01 15.45.26This close to 3 hour mega feature demonstrates the most important and original approaches to rhythm featuring alto saxophonist Steve Coleman and Five Elements. The name of the band has nothing to do with the members or number of members, but everything to do with Earth, Water, Fire, Wind and Ether. 
Four compositions are demonstrated here “Pi”, “LSLLSSL”, “Drop Kick” and “Wheel Of Nature”. This dual cam workshop shows how Steve applies specific rhythms to forms and how the chords, harmonies, and melodies can be layered in many ways. Expansion is demonstrated on much more than odd meter as the music is multi-layered. The way the band experiments, rehearses, and builds are clearly seen here in the rawest form. There are no smoke and mirrors and definitely no shortcuts. Only hard work, repetitive looping, clapping and singing are the basis for understanding all of the music in its simplest form. There is no other music on the planet such as the music and many approaches of band leader Steve Coleman.  

Triple Chant in 9 #1

This chant is like looking at 3’s a different way. Three 3’s equal 9. For example 3 x 3 = 9. This is one of the basic ways of understanding this chant. Of course, counting all triplets spells out the 9, but dividing them in 3’s makes it less strenuous on the mind. Playing triplet chants longer than 6 takes two minds: the one that performs and the one that thinks. Yes, this takes repetition. I kept this chant as simple as possible so you can hear the long 9 phrase punctuated in certain areas for rhythmic division. You can also look at this chant as two parts. Looking at the PDF notice how the first part is from the top (beginning) and ends at the first 8th note snare in the second measure. The second half goes from there to the end. That’s another way of looking at this chant.