Category : Lessons

Paid Members HD video lessons. We explore dynamics, phrasing, chops, even/odd meter, PDF charts, soundtrack music, play-along mp3s, and much more. This provides today’s musician with every angle on every subject. Rock, Funk, Latin, Reggae, Samba, Calypso, Disco, Punk, Metal, R&B, Fusion, Jazz, and all other genres are enhanced throughout.

Triple Chant in 3 #2

Simple in nature and complex in reality. The kick lands on the downbeat one time in measure one on the first beat. The hat comes in on beat two in the first measure. The ride cymbal creates a layer of off beats. The snare is always on beats two and three of every measure as in a waltz. Playing this in repetition requires consistent mental focus. The slightest drifting thought can throw any limb off especially the ride cymbal. This is the ultimate chant that builds synchronicity.

Duple Chant in 3 #2

Performing in 3 is amongst my favorite of meters. The chant is simple in nature. Notice how the kick drum only strikes the down beat in the first measure. The kick pattern plays on the “and” of every other beat. This creates an illusion that does not sound like a three beat phrase. The tempo from slow to moderate changes the musical atmosphere because the faster the tempo, the more the chant sounds unlike 3.

Duple Chant in 13 #2

Double bass drum technique is a combination of thigh and ankle muscle movements that I recommend playing heel up. The chart for this lesson looks insane but is easy to understand when looking at the bass drums as broken triplets. The first note of every triplet is held in place by the snare drum as a ghost note and the second and third notes are played on the bass drum every time. This can be played in any time signature in duple and triple. This triplet figure played between the snare and kick creates a flurry of notes that are played in fixed frame. When hearing this lesson as a duple chant in 13, placement of triplets are easier to grasp. Tempo variations become smoother with repetition.

Triplet 7 / That’s My Cord

This song uses the triplet feel with a nod to reggae. Written long ago and put in vaults of instrumentals, I realized years later this is a great tune to feature the triplet shuffle. The left hand propels the groove with ghost notes emphasizing the second beat of the constant triplets. This is a fun tune to play pocket to and experiment with the world of triplet based phrasing. The title is actually “That’s My Cord” from a demo I recorded years ago.