Category : Lessons

Paid Members HD video lessons. We explore dynamics, phrasing, chops, even/odd meter, PDF charts, soundtrack music, play-along mp3s, and much more. This provides today’s musician with every angle on every subject. Rock, Funk, Latin, Reggae, Samba, Calypso, Disco, Punk, Metal, R&B, Fusion, Jazz, and all other genres are enhanced throughout.

Triple Chant in 7 #1

This is the triple feel version of Duple Chant in 7 #1. In essence, it is the same chant as Duple Chant in 7 #1 felt with triplets. Technically it is different because of the feel and notation. Demonstrated at 72 BPM you get the relaxed feel to hear where every note drops. I believe performing this chant will help you understand all long odd meter phrasing with a faster ear. In other words, when you are in musical situations where you are given music at the last minute that is unusually triple feel odd meter, you will approach it faster by having repetitious practices of this chant and others similar.

Duple Chant In 7 #1

If you can imagine a James Brown pocket in 7, this is it. This is a very funky and simple way to play in 7 duple feel. Odd meter is often viewed and assumed as difficult to approach because of its oddness. However, when applying simple familiar phrases to any odd meter one can see how simple odd meter can be approached and performed. This chant was inspired by James Brown’s “Say It Loud I’m Black And I’m Proud”. Continuing this chant repetitively makes this approach to 7 duple feel easily understood.

Triple Chant in 6 #2

I like to refer to this chant as semi Afro Cuban. Based off the triple clave, this chant has a swing feel. The hip thing is keeping the hats pedaling on beats 2 and 4. Although this chant is simple in nature, it is quite difficult to master. Once this becomes comfortable to play, try bringing in the cowbell using the 6/8 clave that is the same as the ride pattern in the PDF.

Triple Chant in 6 #1

One of my top warm ups. I developed this during my Reggae Years in my youth. One afternoon I was doing a sound check with some musicians performing reggae music and I came up with this chant. Today I use this chant as one of my warm ups during sound checks. The basic chant enforces an intense solid pocket with the twist of triple feel snare ghost notes not written in the chart. This mimics the sound of slap back delay on hi hat and snare when ghost notes are played on the snare. Or it can be played exactly as written on the chart without ghost notes for independence.